I considered refusing the Golden Lion at the Venice Film Festival, but I could not come up with a good enough reason. I would have refused it on instinct alone. I have received many awards, at almost all the film festivals – Cannes, Venice, and Berlin. The only place I have not yet won is Moscow, but that’s such a particular festival that I could do without. So, when I think of another Golden Lion added to the one I already have, it is already too much. I do not know how to say it – I mean, it puts me into a situation – that is, it gives me another responsibility in dealing with the past, and this is what bothers me. I do not want this responsibility. My films are what they are, I do not know if they deserve another Golden Lion or not, and I do not want to have to talk about it. This is how I feel about that prize.
Then what made you accept it?
I did it because it is very difficult to say no to Venice. It seems a bit presumptuous for me to say: “No, I do not need another award, I am already who I am.” After all, I guess it is OK to have another one.
Maybe you don’t like these festivals because they show films that no longer satisfy you as they did when you filmed them, films that you have regrets about. Have you ever thought about that?
Well, in my professional life I have regrets in the sense that when I see one of my films again I do not always like it. That is, I might not like the whole film, but rather just parts of it – certain sequences, or maybe its subject matter. I would not say that I am satisfied with the entire film. There has not been a film of mine that has completely satisfied me.
Not even one? What about The Girlfriends, The Cry, La notte, Red Desert, Identification of a Woman, The Passenger? Continue reading